It’s hard but that pain is often how we grow and mature - learning how to cope with the way things are. It’s how we pick ourselves up out of that fatality that matters. It reminds even the youngest of us that more often than not life is unmerciful. Man in the Moon like many of the great coming-of-age movies is really about adolescents coming out of their innocence and being inundated with the often frightening realities of life. It’s in these moments that uncomfortable feeling well up in the pit of your stomach. What makes matter worse is her feelings are all mixed up.
#Man on the moon movie 1991 full
Dani for the first time in her life is faced with the full brunt of tribulation. The second half of the film enters melodramatic territory that first hits the Trant’s with familial turmoil, and then Court. It just doesn’t make sense. They enter friend territory and Dani’s heart is still aflutter, but she’s happy again. But he’s not like that. Dani can’t quite get that through her head. Now if Court was one of the other boys, he could easily take advantage of the situation - this fawning girl who is madly in love with him. But their friendship blossoms with frolicking afternoon swims. He has to grow up quickly and views Dani as a child.
He’s a few years older and is the man of the house. Their relationship is one of those complicated entanglements. Soon things change for young Dani because she’s never known someone like Court, much less liked a boy. It turns out he’s the eldest son of an old friend of Mrs. They have your typical terse meet-cute that signifies only one thing. She doesn’t deserve the creepy father and son duo eyeing her in the local town.Īrguably, the next most important character in Dani’s story is Court (Jason London). She’s beautiful and yet what’s more extraordinary is her good nature. Maureen (Emily Warfield) is Dani’s oldest sister and her idol, along with the object of every local boy’s desire. A mother (Tess Harper) who loves her husband and daughters dearly, knowing when to trade tough love for hugs. A father (Sam Waterson) who is a decent, down-to-earth-man, and he would rather commune with nature in his fishing boat than go to typical church.
Man in the Moon starts with Dani, but there’s a whole family unit around her. That’s what makes these film arcs necessary. After all, they still have a great deal to experience. They have not quite grabbed a hold of the mature world of their parents. She and Scout share a lot in common because as young people there’s an inherent tendency to mope, question, and disregard. This time a 14-year-old Reese Witherspoon is our lead, playing the Elvis-loving, gum-chewing, spunky dynamo named Dani. Their narratives hope to shed at least a little bit of light on that intricate stage of life. Both these films take the point of view of a young girl. There are in fact some similar threads running through these two films, starting with the Deep South nostalgia and close analysis of adolescence. In truth, I’ve only had the pleasure of seeing one of his other films - his crowning achievement To Kill a Mockingbird. Man in the Moon would be his last film in a career that was not so much illustrious as it was respectable. Robert Mulligan is an unassuming film director.
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